Hypnotic Writing

Thursday, 2 August 2018

With a number of requests for information on hypnotic writing, I thought it a good idea to get started here and knowing there are other resources available I started wondering what it could be about writing hypnotically that so many people are thinking it is such an elusive subject.

Hypnotic Writing

hypnotic writing

Hypnotic Writing

John La Valle

With a number of requests for information on hypnotic writing, I thought it a good idea to get started here and knowing there are other resources available I started wondering what it could be about writing hypnotically that so many people are thinking it is such an elusive subject. Then I realized that perhaps it's not the hypnotic writing as a technique that is elusive, but peoples' ability to recognize "how" hypnotic they can be with a purpose in mind and it's the purity of that purpose that perhaps is more elusive for some than for others because it's not the laying down of the ideas that's important, it's the foreplay of thought that determines the readiness of the pursuer to play in just the right way the reader relaxes excitedly anticipating then enjoying the pursuit so that both are satisfied through the consummation of the whole experience.

I remember my first time . . . being absorbed into a story about something that intrigued me enormously, even though the actual topic is irrelevant at the moment because it started quite innocently as I first read with deep curiosity and anticipation, even during the opening paragraphs of what I was reading, while I was more and more consumed into what it was I hadn't yet known, and wanted to because the story wasn't just about the story as much as it was about desire: wanting to draw me into an experience in my mind that was as real as could be inside in such a way that whatever was on the outside didn't matter as much anymore and perhaps even at all because my attention focused inside on the experience that was unfolding.

Experiencing stories so vividly, like the ones told by great story tellers, the ones that spark every sensory receptor triggering connections in each cortex, from clean bright images to crystal clear sounds, tingling sensations from the surface of your skin to the deepest fiber of your bones, is what creates ideas so profound that they blur the differences between what is reality and what is hallucination, and since it can be very difficult to distinguish these difference means you can build realities around how well you can conversationally and naturally weave the fabric that will be present inside your mind with any subject you want and propagate that to others.

The subject of language, specifically the Meta/Milton Model patterns in some of the earlier NLP books, has been the subject of much illusion, and even taboo, that escapes people from time to time because most are trying to make a distinction between the models when, in fact, they go hand in hand and are used by everyone each and every day in intercourse together so seamlessly that the purposeful use of language hypnotically seems elusive when it is right there at the tip of your tongue anyway. It's what's done "on purpose" that conveys our ideas so elegantly and easily predicates them amongst others. I've been attracted to many ideas throughout my life and yet none so strong as how well we can trance mit our thoughts to one another and still another. Hypnotically or not, the elegance of communication is that it is hypnotic naturally, and the only questions to consider are: how hypnotic can we be as we move naturally from altered state to altered state because as the definition of hypnosis is being induced to moving from one state to another state, and the definition of altered means from one to another as in the choice between two, we can only move from one state to another and to another and to another and so the mere simple way to write hypnotically is to go into the states you want your readers to enter easily and describe your experience to them, or what you want them to experience, keeping in mind that the words are not the experience, the experience is the experience and they are induced to participate.

With a full range of choices in language possible as a prerequisite to precise hypnotic communication, there are then the considerable variables between inducing and seducing before introducing your chosen message, or massage of your ideas, because the range between inducing and seducing is not as wide open as it seems by definition and yet can be that deep experience that waltzes smoothly as you tickle your readers in just the right places at just the times to get just the right responses, knowing the risk and yet daring to be playful as if to get caught, but not so obvious that the intercourse is interrupted but continues elegantly for as long as you want before coming to the conclusion you want your readers to come to.

Writing as you may speak is one sure way to learn to write in such a way that you can take your readers from one sate to another while releasing your ideas explosively inside . . . their minds.

And with as many states as is possible, and as many ideas as is possible, from selling you own products or services, to just writing stories to entice them before intertwining them into whatever your message is, I'm wondering how you may have been so hypnotically persuasive in other times and in other places than you thought you could be, and yet are without even knowing it.